Showing posts with label jewish. Show all posts
Showing posts with label jewish. Show all posts

Monday, April 06, 2026

2026 Passover Seder in Review

Moadim L'Simcha! Hopefully, your Passover seders went well, and you're enjoying these days of munching matzah and dreaming about Real Pizza.

The seder we hosted this year was a delightful mix of chaos, insight and tons of good food. For the first time I can recall, we made a dairy seder. While the salmon and mashed potatoes Shira made were a hit, it was her macaroni and cheese (with gluten-free, rice based noodles) that, for me, was the decadent winner. You can keep your brisket, I'll take 3 kinds of cheese covering carbs any day of the week.

Also, Shira's blueberry pie, frozen lemon cake and chocolate chip cookies continue to be highlights of the evening.

While shopping at Shalom Kosher, I talked with Gemini about picking two unique wines for the first two cups. I chose a Barkan Classic Pinot Noir and a Recanti Yasmin Red. I arrived at the seder with pretentious tasting notes that Shia read with gusto (The vibe of this first bottle is "The Elegant & Easy Sipper"...). Sadly, the descriptions outshone the wines themselves—the crowd was unimpressed. Still, it was fun navigating Shalom Kosher's wine section with purpose, and I'm inclined to try again next year.

We dabbled with two new traditions during the evening: the first was saving the middle matzah to burn next year (mentioned in this 1888 description of a Passover seder). I like the idea of starting next year's Passover prep at this year's seder. The next was an attempt to have everyone take hold of and raise the plate of matzah while reciting Ha Lachma Anya (mentioned by both the 1888 article, and a 1897 seder description). We didn't quite pull off the feat, with half the table holding the plate while the rest of the table was connected by holding hands. Next year, I'm hoping to give this another go and see if we can all smoosh together to get everyone's hands on the plate.

I came equipped to discuss the seemingly excessive plague counting by Rabbis Yossei, Eliezer and Akiva. My take after studying this section is that it's surprisingly sensible to deploy this well known midrash here. It lets the finale of the haggadah's story build to a crescendo: from 3 drops for blood, fire, and pillars of smoke, to 10 plagues, to 50 plagues, to 200 plagues and finally 250 plagues. You then turn the page, and switch from G-d doling out punishment or justice, to us as a people counting our blessings in Dayenu.

But far more interesting was Lauren's comparison of the plague math to so-called girl-math. Most at the table were confused until Aurora jumped in and deftly explained it to us. We all had a good laugh and got to appreciate the comparison.

One topic that frequently comes up at our seder is how many beloved Exodus stories are missing from the haggadah—Baby Moses in a basket, Miriam dancing at sea. This year, we explored how medieval artists smuggled these stories back in through pictures—or as they are technically known, illuminations.

Right after the four questions, I passed out blank scenes (grab them here) and stickers so kids could craft their own illuminations while we read through the lengthier parts of the seder. The adults couldn't resist joining in — I love what everyone made with the quirky sticker selection!

After dinner, we played a game where I asked questions about famous historic, illuminated haggadot. It was a blast. You can snag the player pages here, and the answer key here. I was pleased that kids frequently beat the adults to the answers.

This 1896 article published in The San Francisco Call describes a seder like so:

The ritual proper for the Passover evening is a quaint mixture of history, poetry, legendary lore, archaeology and philosophy. The Seder, as it is termed, has been contributed to by rabbis and scholars for ages, till it resembles nothing so nearly as a moss-grown and lichen-covered castle full of interesting souvenirs of bygone times.

I'm proud to say that thanks to everyone in attendance, we successfully piled on another layer of 'interesting souvenirs' to an already overflowing table. Chag Sameach!

Friday, March 20, 2026

Claude Code - Programmer's Partner and Torah Scholar?

With Passover fast approaching, I've been putting AI to use in my Seder prep. Specifically, I've been using it to discover and unpack different topics of conversation I could explore with my guests.

In this post, I want to showcase what you get when you unleash Claude Code, a software development tool, on this sort of research task.

The Setup

To appreciate what Claude Code brings to the table, I fed it and ChatGPT essentially the same prompt. Here's the prompt:

I'd like to do some research for the upcoming Passover Seder. Looking at around the time of the Civil War, one of the reasons given for the morality of slavery was that the Bible didn't seem to condemn it. In fact, it includes a commandment that the descendants of Ham were to be slaves. Some suggested that the African slaves were these descendants.

Can you give me some quotes and links to texts from rabbis that discuss how Judaism traditionally understood this commandment that the descendants of Ham were to be enslaved? Would this argument that was common in the US make any sense in a traditional Jewish context?

So here I'm taking some vague notation I have and I'm asking AI to flesh it out and back up its response with quotes and links.

As a side note, I find it enraging that a couple of verses in the book of Genesis could be used as moral justification for enslaving hundreds of thousands of Africans in America. But, apparently it was. Or at least that's what I wanted AI to help me unpack.

ChatGPT's Performance

You can find ChatGPT's full response here. In general, it did the job we're used to AI doing and while you can quibble with it (does it really need to start with a compliment?), the fact is that it did hours, if not days of research in a few seconds. It then presented the findings in an organized and thoughtful way. To be anything other than blown away by this result is to have lost sight of what life was like in the Pre-ChatGPT era.

And yet, with this type of response, one always needs to ask a critical follow up question: this sounds good, but is it true?

For example, did Ibn Ezra, writing in the 12th century, really directly address this issue of Black people, slavery and Noah's curse?

To ChatGPT's credit, it provides links to sources as I asked for. The Tablet Magazine article is a valuable read, and I appreciate that the link to Chabad is also Kosher. But many of the other quotes link back to Wikipedia, which any high school student can tell you isn't a reliable source. And while the Tablet and Chabad articles are helpful, are they based on accurate readings of source materials?

Claude Code's Approach

Claude Code, as the name suggests, is a coding tool. Developers use it to build software. What makes Claude Code magical isn't that it's brilliant, but that it uses tools—precisely the way software developers do—to learn and build stuff.

My prompt to Claude Code matches what I provided to ChatGPT, with one important addition (noted in bold, below):

I'd like to do some research for the upcoming Passover Seder.

Looking at around the time of the Civil War, one of the reasons given for the morality of Slavery was that the bible didn't seem to comdem it. In fact, it includes a commandment that the descendents of Ham were to be slaves.

Some suggested that the African slaves were these descendents.

Using ~/bin/safariassist - a tool to search sefaria.org - can you give me some quotes and links to texts from rabbis that discuss how judiasm traditionally understood this commandment that the descenants of ham were to be enslaved.

Would this argument that was common in the US make any sense in a traditional Jewish context?

I've asked Claude Code to use sefariaassist, a Linux command line tool that interacts with sefaria.org's API. Sefaria is a website dedicated to hosting Jewish texts and the links between them.

Unlike ChatGPT, Claude Code is pretty chatty as it tries to tackle the task I've given it. You can read its entire transcript here.

You can see that Claude gets off to a slow start as it tries to figure out what sefariaassist is all about. Incidentally, this is exactly what a human who was tasked to use this program would do: poke around, try it and fail.

Claude pushes forward, figuring out how to use sefariaassist and then starts researching the problem in earnest.

You can see that Claude gets stuff wrong - it tries to use jq on the output of sefariaassist -a text and fails. But again, like a human, it learns and moves on.

Like ChatGPT's complimentary intro, Claude gave me hints that it was on to something. Like when it announced:

● Excellent material. Let me read the full commentary links and also search for Rabbi Raphall's infamous pro-slavery sermon:

or

● I have very rich material. Let me get two more key sources:

Who doesn't love the AI powered dopamine rush that we're on the right track! I say 'we', but all I did was pose the question.

In a minute or two, Claude presented me with findings:

The findings, which I asked Claude to write up can be found here. They essentially match what ChatGPT told me. However, every statement that Claude makes is backed up with a link to Sefaria.

For example, Claude doesn't just report Ibn Ezra's quote, but provides a link to the source material

This link allows me to spot-check Claude Code to ensure it's not hallucinating. Another key win is that it lets me browse the source material to get a more complete picture. Even if ChatGPT got the Ibn Ezra quote right, perhaps earlier or later in the text, Ibn Ezra says something that undermines this quote. Or, maybe there's other useful material here that because it's not as widely cited, ChatGPT hasn't picked up on it as being useful.

In this case, the verse before the one considered famous is also quite fascinating:

Here, Ibn Ezra effortlessly dismantles another pro-slavery argument that circulated at the time of the American Civil War. That is, that the Hebrew עבד עבדים means "slave to slaves." Ibn Ezra shows this as a misreading, and that it simply means "servant like all other servants."

The win here isn't that Claude Code gave me a pithy answer to my question, but that it set me up so I could discover my own answers with ease.

And the winner is...

Comparing ChatGPT's performance to Claude Code's is notable. On one hand, ChatGPT was faster and gave me prettier results. It also provided me a link to a Tablet Magazine article which opens up a number of interesting follow-up questions.

What Claude Code lacks in terms of sexiness, it makes up for with both transparency and completeness. By watching its transcript, I can see its reasoning and what it's searching for. Most importantly, it didn't just give me a useful end product, it gave me direct links to trusted source material. This source material not only provides confidence in the answer provided, but opens up new areas to explore.

In truth, there is no winner here. Both tools are astoundingly good, and no doubt the trust issues I cited with ChatGPT will improve over time. Not that long ago, ChatGPT provided answers with no sources. Now it's providing sources, but some of them are weak. I'm sure ChatGPT and other LLMs will get better at this.

And yet, what Claude Code is doing here is something special: it has traded the know-it-all machine model for one that's a tireless assistant who's an exceedingly quick study. This makes for a helpful partnership and for research tasks like this one, is far more valuable than simply sitting at the feet of a guru.

Wednesday, March 11, 2026

Review: People of the Book

In People of the Book author Geraldine Brooks provides a compelling historical novel around the very real Sarajevo Haggadah. While there are some aspects of her story I could quibble with, I found it largely to be a pleasure to read listen to. After nearly 14 hours of audio, my first thought when the playback ended was: wow, that was a lot.

Spoilers Below

First off, I give full credit to Brooks for creating a clever story that brings the 650-year lifespan of the haggadah to life. I was expecting we'd be jumping back in time as the main character, Dr. Hanna Heath, worked on restoring the text. Which we did, but Brooks found interesting ways to pull this off that exceeded my expectations.

I was also not expecting a modern connection to the book. And while a bit silly at times (there's a heist!) this brought yet another dimension to the story, which I appreciated.

One message of the Haggadah's story, which one of the characters in the book directly voices, is the never-ending battle between acceptance and rejection of minorities. Brooks brings the reader face to face with moments throughout history when Jews go from feeling safe and included to being tormented and decimated. Even with my knowledge of Jewish events, I found Brooks' storytelling to reveal new aspects of our tragic and miraculous history.

The section on the Inquisition, for example, was so vivid and heartbreaking that I wanted to abandon the book altogether. Though, I knew this was exactly the wrong thing to do, and I'm glad I persevered.

At times, the book did test my ability to suspend disbelief. Take the Ruti storyline. Am I really supposed to believe that a young lady on the run from the Inquisition, with no resources, can bring a traumatically born baby to a new life in a new country? And yet, the moment that Ruti converts the infant to be a Jew is a powerful one, and so sure, I guess I'm onboard with this storyline.

Or how about the moment in the vault where the improvised red light reveals the name of the book's illustrator? I mean, really?

I suppose this is a fundamental challenge in historical fiction: the author can conjure up any story they wish and it's up to readers to buy it or not. I guess I'm more of a romantic than I'd like to admit.

The other potentially troubling aspect of the text is how nearly every character in the text is packing a heap of flaws. In the Venetian scenes, Father Vistorini is an alcoholic and Rabbi Aryeh has a gambling problem. Nearly all the characters are having sex with people they shouldn't be. And then there's the main character, Hanna, who's carrying around her own baggage.

Are these faults simply there to move the story along? Are they designed to humanize the characters and make the story better fit reality? In this case, I fear it's me, not Brooks that has the problem. I suppose I want a simpler story, where the bad people behave badly and the good people are model citizens.

I'm still not entirely sure what to make of Hanna and her mother's story. Other than to say that Hanna's behavior strikes me as logically following her upbringing. She's acting like a person with insecure attachment, and which makes sense, as her mother crafted a daughter with insecure attachment. So I may not love all of Dr. Heath's actions, but they fit within the world Brooks has established. And that world, like ours, is filled with people who carry the scars of trauma with them.

My only true criticism of the audiobook is that it does not include the afterword that the print version appears to offer. I'm guessing that the afterword sheds some light on what was truth and what was fiction in the story, which would have been highly appreciated. I'm guessing this is the publisher's, not author's sin.

As I've let this story gel for the last few days, I've found that I've enjoyed it more and more. Does Brooks get a bit dramatic in her telling? Sure, but a 600-year-old text that by all accounts should not exist is worth getting dramatic over.

A Bissle Torah

I would be remiss if I didn't tack on this story that occurred while I was listening to People of the Book. For context, I've been leigning at shul on a regular basis. This means that I've been chanting parts of the Torah at services and doing so from a traditional scroll that lacks vowels, punctuation and musical notation. It's tricky business, to say the least.

My strategy for success has been to focus on understanding the text in as much depth as possible. With understanding, the words and tune are much more predictable.

In the sofer's storyline, Brooks spends time explaining to the reader the different ways David Ben Shoushan's children relate to the Torah. For Shoushan's son, Reuben, the connection is technical. He's training as a scribe, so it's all about getting the letter forms and spacing correct. For his daughter, Ruti, it's a connection based on meaning, so her emphasis is on exploration and insight.

To elucidate Ruti's perspective, Brooks offers a specific example. Out of the entire Torah, she selects Exodus 25:8 as her prooftext. In English, the verse reads as follows:

And let them make Me a sanctuary that I may dwell among them.

Pause here and imagine me listening to this section of the book. Not only am I vibing with Ruti on the value of appreciating every word and every letter, but the example that Brooks selected is one that I chanted just a few days earlier. What are the odds that I'd be poring over this same text?

But wait, it gets better.

Brooks' point is best appreciated by looking at the Hebrew of this verse, which is:

ועשו לי מקדש ושכנתי בתוכם

The insight Brooks offers is all about the last letter in the verse. Hebrew is read from right to left, so the letter we're looking at is that squarish final mem: ם.

Because the last word is בתוכם it means "in them." Had the last letter been a ו, the verse would have been translated as "in it."

The Torah is telling us that the newly minted Jewish people were commanded to build a holy space so that G-d could dwell in them, the people. Not, as one might expect, so G-d could dwell in it, the building. The former being a far more sophisticated approach to holy spaces than the latter. What a profound distinction, and all powered by a single letter.

I'd totally missed the elegance of this one letter distinction until Brooks brought it to my attention.

Perhaps I need to cut Brooks some slack in the believability department. After all, who would believe that out of a Torah full of interesting verses, she would both select one that I'd studied days before and teach me a valuable insight that I'd missed.

Tuesday, August 19, 2025

The Three C's of a Pocket Tenach

While cleaning out my mother-in-law's estate, we came across the Tanakh she was gifted by her temple on her Bat Mitzvah. Incidentally, I had my Bar Mitzvah at the same temple.

The book has made its way into my tallit bag, where I have it on hand while davening. Over time, this small volume has become a treasured possession. Obviously, it has sentimental value, but more than that, I've found it to be quite practical. Here are three C's that make it so.

Complete

The name Tanakh is an acronym for the texts it contains. Sefaria explains:

The Tanakh, or Hebrew Bible, is Judaism’s foundational text. “Tanakh” is an acronym for the three sections of the canon, the Torah (the Five Books of Moses), Nevi’im (Prophets), and Ketuvim (Writings).

So while we pore over the Torah during services, that's just the first 5 books of our Bible. There are 39 sacred texts in all. And that's the first place a pocket Tanakh shines: it gives you access to the full canon, not just parts of it.

Want to read a Psalm we don't typically recite during services? Or see a part of the Book of Isaiah not covered by a haftarah? Or read the Book of Nahum? A Tanakh has you covered.

Context

A Tanakh can add context to the fragments of text that we encounter during services, giving way to fresh insights and additional levels of appreciation. Haftorot, for example, frequently start or end in the middle of a chapter; being able to read the surrounding text can often be illuminating.

Take the haftarah that we read on the first day of Passover. In it, we read about the Israelites preparing to assault Jericho. However, the haftarah stops short of the famous moment when the walls come tumbling down. A Tanakh lets you peek ahead and read all the action.

This also works well for shorter bits of text that we reference while praying. For example, during Tachanun, we recite the words of King David: “I am in great distress. Let us fall into the hands of Adonai, for His compassion is great; and let me not fall into the hands of men.”

The question is, what did King David do to be in such great distress? You can read all about it in II Samuel, Chapter 24.

Knowing the story behind King David's woe adds another level to the prayer that cites it.

Curiosity

No doubt, there's something magical about studying the same text day after day, year after year and yet, coming away with fresh insights and appreciation. That's the benefit we get from davening with a fixed set of prayers and a regular cycle of the Torah and haftarah readings. And yet, there's also something to be said for exploring new ground. A Tanakh gives you easy access to the latter.

There are countless stories, lessons, and insights waiting to be discovered in the 39 volumes that make up our Bible. Like the time that Israel was saved by a loaf of barley bread, or Satan meddled with Job, or Daniel hung out in a lion's den. These stories haven't been included among our standard readings, so you won't come across them unless you go off and explore them yourself. With a Tanakh, you can do just this.

In short, a pocket Tanakh is a gateway to better appreciating the text we read regularly, and finding new favorite texts. Thanks, Mom!*


*It's with a dose of sadness that I hit publish on this post. My Mother-in-Law was my most loyal reader. No matter how technical or obscure the post, she read every one. I think she really would have enjoyed this one. Yet one more reason she's missed.

Tuesday, August 12, 2025

The Sound of the Omer

While discussing a topic for this year's Omer Learning project, my Rabbi suggested the theme of Jewish Music. I was skeptical; will Jewish Music resonate with our community?

As you'll see below, I couldn't have been more off-base. Entries poured in, and we covered both this year and next year's Omer Learning project with ease.

A key question, of course, is what is Jewish Music? We intentionally went with a very broad definition: Jewish Music is whatever the contributor felt was Jewish Music. Over and over, I encouraged people to not overthink it. If it strikes you as Jewish Music, I'd say, share it. The hope was that we'd get a wide spectrum of submissions, and boy did we ever.

Below is each day of the Omer's submission, including a link to where you can read a bit of context about why the song was selected. And below that is a YouTube playlist where you can listen to all the selections.

Enjoy--I know I did!

Tuesday, April 08, 2025

Inspiration and Innovation for Peace - A Lesson from B'nei Brak

Chag Sameach and Happy Passover! We had two wonderful seders (Thanks David and Maryn for hosting the first night!). For my seder prep, I came across a fresh perspective on one of the stories within the Haggadah. In the interest of learning something new every year, I'm sharing it below. Enjoy!


Within the Haggadah's retelling of the late night study of the five rabbis, it's not unusual to pick up on the location of the story as a key element. The Velveteen Rabbi explains:

What were these rabbis doing in B’nei Brak, which was the hometown of Rabbi Akiva only? Why didn’t their students join them in celebrating the seder? Why didn’t the rabbis themselves notice the rising of the sun?

Context is everything. This story takes place during the rule of the Roman emperor Hadrian, who ordered that the Temple be moved so he could put a temple to Jupiter on the Temple Mount. In the year 123 of the Common Era, a guerilla insurgency began, which resulted in a crack-down by the Roman authorities.

B’nei Brak was the headquarters of the rebellion against Roman occupation, a rebellion of which Rabbi Akiva was a leader. Because of rebel activities, the Roman authorities had forbidden gatherings of Jews. The seder described in this passage was a chance not only to discuss the liberation from Egypt—but also to plan a strategy of resistance against Roman occupation. The students were standing guard, ready to caution the rabbis to disband at daybreak, lest they be caught.

This tale may be read as an encouragement to become so joyfully immersed in the seder that we don’t notice the passing of time…and it may also be read as a story of how one liberation begets another. Celebrating our freedom from servitude can be a radical act. It was Rabbi Akiva, after all, who famously answered the query, “Which is better, study or action?” with the response, “Study—if it leads to action.”

I recently discovered a new link to B'nei Brak, but to appreciate it, we need to step back in time. In the span of Jewish history, however, we're going back a mere 185 years; practically yesterday.

The date is Thursday, June 11th, 1840, and the place is Staunton, Virginia. Residents opened their copies of the Staunton Spectator, and General Advertiser to read of a gruesome murder that took place 6,000 miles away in Damascus, Syria. The murder is so violent that the newspaper didn't want to believe the account.

Some weeks ago we received the announcement of the murder of a Christian missionary and his servant at Damascus, but the details were so horrible that we refrained from giving publicity to them, and hoped they could only have been the invention of a disordered imagination inventing a tail too frightful to be believed. However, the following letter proves that the tale was too true.

The article describes in detail how Father Thomas was restrained, his throat slit, his body hung upside down and his blood drained. His body was then dismembered and his bones disposed of in the sewer.

The bones were discovered and those who perpetrated the crime ultimately confessed. Their motive came down to a religious obligation:

They all said that they were incapable of committing murder, but that they had acted up to the precepts of their religion, in which it is prescribed to make their Easter leavened bread with Christian blood.

Readers in New York City who picked up their May 18th, 1840 copy of the Morning Herald read about the same incident but from a dramatically different perspective. Yes, there was a missing Christian leader in Damascus. However, claims that Jews murdered him were extracted by torture. And the bones that served as evidence in the case were anything but:

Official accounts from Beyroot, of the 15th March, rectify the details of the Smyrna journals, published in our paper [the Austrian Observer] of yesterday, respecting the pretended murder of Father Thomas, the prior of the Spanish convent at Damascus; the fact is nowise proved, and the perpetrators of the deed are not discovered. The medical men and surgeons, charged by the local authorities with the examination of the bones found in the sewers of the Jewish quarter, have declared that the bones must have been there a long time, and were bones of animals.

The Morning Herald put the charge in context by citing it as an example of Blood Libel:

If the persecution of the Jews at Damascus, as several letters affirm, from the often-repeated assertion that the Jews eat Christian blood at their Passover, this merely proves that centuries cannot destroy opinions repugnant to human nature, which are contrary to the letter of the Jewish law.

The writer of the Morning Herald piece closes with this point showing the cruel absurdity of the whole incident:

... in this instance, [the murder] is still more void of probability, as the matter of Father Thomas took place in February, whereas the Jewish Passover is in April.

As an aside, Blood Libel is a charge I associate with medieval times. As this incident shows, I was way off. It's gut-wrenching to read such a vivid account taking place in what are effectively modern times. Even more alarming, the Wikipedia page on Blood Libel shows that the Damascus Affair, what the above incident would become known as, was not an outlier in either time or scope.

Turning back to the world of newspapers, the most notable response to the incident was by the Times of London, which published articles arguing all sides of the conflict. On August 17th, 1840 they took the unusual step of publishing a nearly complete English translation of the Haggadah. They did so to refute the claim that Jews use blood during Passover:

A correspondent has furnished the annexed very minute account of this ceremony, which will be exceedingly curious in itself to most of our readers, and has at the same time an evident bearing on the Damascus case. It repels strongly the barbarous notion that human blood, or blood of any kind, is essential to its celebration.

While I've come across a number of low resolution images of the August 17th edition of the Times, I've yet to find a copy that's legible to persuse. Sefaria, thankfully, has a translation who's claimed source is the Times of London's text. This blog post shares details of the Time's edition that corroborate the Sefaria text.

For example, both the blog entry and Sefari note that Rabbi Gamliel's 'Three Things' include an explanation that Christian Blood isn't included in his list:

Rabbi Gamlieh saith, that whosoever doth not make mention of three things used in the Passover hath not done his duty (Christian’s blood is not mentioned): the paschal lamb, the unleavened cake, and bitter herbs.

There's a similar comment at Yachatz, when the matza is traditionally broken:

The master then breaks the middle cake in the dish, and, leaving one half of it there, he lays the other half by for the offering, which is nothing more nor less than a piece of the Passover cake, and it is that which it is said human blood forms a portion of.

Other than these notations about blood not being used, and a few old timey word choices, the translation is surprisingly ordinary.

Except, that is for the way the story of the Five Rabbis is translated. Check out how the readers of the Times of London saw this passage on the 17th:

And thus it is related by Rabbi Eliezer, Rabbi Joshua, Rabbi Elazar, the son of Azariah, Rabbi Akeba, and Rabbi Trapon, that they once met (on the night of Passover, in a place inhabited by Jewish proselytes, said to be descended from Haman) and continued discoursing of the departure from Egypt all that night till their disciples came, and said, ‘Instructors, it is time to read the morning prayer.’

London readers didn't read about B'nei Brak, instead they were provided with a parenthesized equivalent: in a place inhabited by Jewish proselytes, said to be descended from Haman.

I'd never seen this paragraph translated this way, and neither had anyone at our seder. Two questions immediately came to mind: what's the source of this equivalency, and why opt to include it?

The what is easy to answer. This idea that B'nei Brak is the place inhabited by Jewish descendants of (wicked, boo!) Haman comes from the Talmud. Sanhedrin 96b, verse 9 says in part:

The baraita continues: Among the descendants of Haman were those who studied Torah in Bnei Brak. ...

Gittin 57b, verse 7 also mentions:

The Gemara adds that some of Haman’s descendants studied Torah in Bnei Brak, ...

The why took some digging. Looking at the dialogue between the chief Rabbi defending the Jews in Damascus, and the Pasha accusing them, I got the sense that their arguments took on, at times, an almost technical air. Here's how the September 19th, 1840 edition of the Sunbury and Shamokin Journal reports at least part of their dialogue:

And of the Haman, the chief Rabbi of the city, he requested him to sign the confession, saying, You surely killed him.

(Here follows the answer of the Rabbi, refusing to confess to a falsehood, which was published in the extracts which appeared in The Sun.)

The Pasha then said, 'At least sign to this, that by your law the property of the Gentiles is allowed to you.'

The Rabbi answered, 'It is false.'

The Pasha answered, 'In the Talmud (as I am informed) it is said from Habakkuk, 'He saw and spoiled the nations.'

The Rabbi said, 'This verse refers to the heathen idolaters, and the despoiling of the Gentile is a heinous crime.'

In this context, one can almost hear the accuser citing the Megillah as proof of how bloodthirsty Jews are. To which, the Rabbi responds that the Talmud talks about the descendants of Haman studying Torah.

While this hypothesis may earn points for creativity, it's way off. The real reason why the Times editors arrived at this translation was strictly practical.

The first English translation of the Haggadah was published in 1770 by Alexander Alexander. In it, he faced the challenge of how to translate B'nei Brak:

[The] Hebrew name “Bnei Brak” consists of two words of which the first, “Bnei”, can be translated as “children of”, while the second, “Brak”, could be understood as the name of a person, Berak, which was confusing for early translators.

In 1770, the first to translate the Haggadah into English (London), Alexander, therefore translated that the rabbis “were entertained amongst the children of Berak” and added the footnote that Berak is “a place inhabited by proselytes, Jews descended from Haman.”

Years ago I printed a copy of Alexander's Haggadah for use at our Seder. Sure enough, in that copy the footnote is present:

The editors of the Times didn't use Alexander's translation of the Haggadah; instead, they used a later one by Isaac Levi. In Levi's translation he took another approach to this translation:

A far less-known but extremely influential translator/ editor is Isaac Levi, the third translator of the Haggadah into English. Isaac took David Levi’s translations and “edited” them (making gross mistakes along the way). In this instance, he reversed the English “children of Berak” to the name Bnei Brak but instead of translating it, he left the name in Hebrew. He didn’t touch the footnote:

This image shows what the editors of the Times had to work with:

They were left with little choice but to swap the Hebrew for the footnote, which gives us the translation we see today.

So we have Alexander and some no doubt hurried Times editors to thank for the above translation.

I think, however, they were on to something with the phrasing of their text. Even in times of peril and persecution, like the Damascus Affair, it serves us well to recite the story of the five rabbis with Alexander's footnote in mind. That is, we strive not just to come together in community, but to do so in the seemingly impossible state of harmony with the descendants of our enemies.

Equally important, the Times of London's Haggadah is here to remind us that such a goal will only come about if take innovative and creative action to get there.

This year we are slaves. Next year may be free. Now we are here; next year may we be in a B'nei Brak.

Tuesday, November 05, 2024

Review: The Scrolls From The Dead Sea

When I picked up the thin volume, The Scrolls from the Dead Sea by Edmund Wilson, I was certain I knew what I was getting into. While I was hazy about the details of the Dead Sea Scrolls, I thought surely they were a treasured discovery met with universal acclaim.

I imagined that finding the Dead Sea Scrolls would be like finding a cache of letters from your grandparents. At first the discovery would be met with disbelief: Surely these aren't what I think these are?! Once confirmed, you would pore over the letters, savoring even the most minor detail.

Wilson, however, paints a far more nuanced picture than this naive scene.

The book starts off light enough: the author describes the discovery of the scrolls.

At some point rather early in the spring of 1947, a Bedouin boy called Muhammed the Wolf was minding some goats near a cliff on the western shore of the Dead Sea. Climbing up after one that had strayed, he noticed a cave that he had not seen before, and he idly threw a stone into it. There was an unfamiliar sound of breakage. The boy was frightened and ran away. But he later came back with another boy, and together they explored the cave.

I love that this once-in-a-lifetime discovery came down to kids being kids. I can still picture my nieces and nephews standing on the shore of Deer Island joyfully chucking rocks into the water, as though this was the world's greatest pastime. Let's hear it for the magic of play.

From the discovery, however, the book only gets more complex. Take the Essenes. The text explains that the cache of scrolls was most likely the library of this ancient sect of Jews. Great, I thought, I'll get to learn about my people. One classic description of the Essenes comes from Flavius Josephus in his book The Wars of the Jews, written around 75 AD. Here's what he says:

[119] For there are three philosophical sects among the Jews. The followers of the first of which are the Pharisees; of the second, the Sadducees; and the third sect, which pretends to a severer discipline, are called Essens. These last are Jews by birth, and seem to have a greater affection for one another than the other sects have. These Essens reject pleasures as an evil, but esteem continence, and the conquest over our passions, to be virtue. They neglect wedlock, but choose out other persons children, while they are pliable, and fit for learning, and esteem them to be of their kindred, and form them according to their own manners. They do not absolutely deny the fitness of marriage, and the succession of mankind thereby continued; but they guard against the lascivious behavior of women, and are persuaded that none of them preserve their fidelity to one man.

So the Essenes were basically a cult. Great. So much for finding my people.

Wilson then delves into the details of a handful of discoveries, working his way to a number of conclusions. This is trickier to do than one might imagine, as at the time the book was published, much of the text of the scrolls had yet to be analyzed. Heck, the complete set of fragments hadn't even been collected.

Wilson ultimately arrives at two conclusions: one that resonated and one that fell flat.

His first conclusion was that the discovery, while invaluable to historians, was slow to be appreciated by the faithful. Jews, he suggests, feared "impairing the authority of the Masoretic text." In hindsight, I can appreciate his point. As Jews, we've ascribed meaning to every word, letter, and whitespace in our source text; I could see how adding new source text could be a disruption.

The same could be said of that hypothetical cache of letters: reading them may reveal some truth best left in the past. What if Grandma was a jerk? What if Grandpa had an affair? What if the stories you built your life around simply aren't true?

It's Wilson's second conclusion, however, where he lost me. He suggests that the scrolls could demonstrate that Christianity grew organically out of Judaism:

[the scrolls show] that the morality and mysticism of the Gospels may perfectly well be explained as the creation of several generations of Jews working by and for themselves, in their own religious tradition, and that one need not assume the miracle of a special magnanimous act of God to allow the salvation of the human race.

That certainly seems plausible. However, he takes this a step further by suggesting that reasoning out these Christian beliefs is a sort of universal humanistic accomplishment. In that light, because Jews don't accept Christianity they are "left with a discipline of difficult observances, an anxious devotion to the letter of Scripture, which in time did perhaps as much as the malignity of Christian prejudice to keep [them] locked in [their] special compartment." In other words, because Jews haven't accepted Christianity, they are stuck in a smothering past.

He doesn't let Christians off the hook, either. He wishes they would embrace the scrolls' evidence that Christianity was a human development and not a supernatural phenomenon.

Wilson's view that Jews are somehow stunted isn't just insulting or a gross misreading of Judaism, it fails to acknowledge his own insight. The slow crawl of ideas that the Essenes used to get from one tradition to another is very much alive today. It's what allows me to attend a shul that sees no contradiction in mining the same texts that my Essene ancestors scrutinized for inspiration, all while under the guidance of a gay, female Rabbi.

One advantage I have over Wilson is time. It's now been over 75 years since the Dead Sea Scrolls were discovered. Everyone from NASA to DNA experts has analyzed the find. So we can reasonably ask, has the discovery revealed any great flaws in our source text?

Consider the Great Isaiah Scroll:

The Great Isaiah Scroll (1QIsaa) is one of the original seven Dead Sea Scrolls discovered in Qumran in 1947. It is the largest (734 cm) and best preserved of all the biblical scrolls, and the only one that is almost complete. The 54 columns contain all 66 chapters of the Hebrew version of the biblical Book of Isaiah. Dating from ca. 125 BCE, it is also one of the oldest of the Dead Sea Scrolls, some one thousand years older than the oldest manuscripts of the Hebrew Bible known to us before the scrolls' discovery.

According to the Israel Museum Dead Sea Scrolls Project, the Great Isaiah Scroll contains nearly 2,600 differences from the Masoretic text that Jews use today. Aha! you might be thinking, this proves how unreliable the Masoretic text. Not so fast. The project explains:

The version of the text is generally in agreement with the Masoretic or traditional version codified in medieval codices, such as the Aleppo Codex, but it contains many variant readings, alternative spellings, scribal errors, and corrections.

Ultimately, all 66 chapters of Isaiah are accounted for. Rather than the Dead Sea Scrolls version showing our modern version as a fraud, it overwhelmingly supports it. This is especially remarkable when you consider that the Dead Sea Scrolls and the Masoretic Text were composed 1,000 years apart. The fact that there was a game of telephone going on for 1,000 years and the textual differences are so small only underscores the miraculous nature of this text. How did humans manage to accomplish this incredible feat of textual fidelity? But don't take my word for this, go read the side-by-side translations and see for yourself.

Perhaps Jews don't live in fear of what the Dead Sea Scrolls may reveal because many of our source texts already contain contradictions. We've been wrestling with and learning from messy sources for millennia. From verses in the Masoretic text that appear to contradict each other (I'm looking at you: Deuteronomy 15:4, 15:7 and 15:11) to verses written one way but read aloud another, to dissenting opinions captured in the Talmud. Judaism has never been about textual purity. So bring on the Dead Sea Scrolls; that just gives us new material to study and learn from.

Friday, May 03, 2024

Passover 2024: Really Digging This Year's Seder

Passover ended earlier this week, and while I'm still making my way through two remaining boxes of matza, it's quickly becoming a distant memory. Like past years, I thought I'd jot down some experiences from the seder as well as some prep material that I found helpful. Enjoy!


This podcast episode: 19th Century Raisin Wine in America, featuring Professor Jonathan Sarna, was filled with interesting bits of Jewish Americana. Including the mind-blowing fact that while the Bible was translated to English in the 1500s, it wasn't until the mid-1800s that a Jewish translation of the Torah was published. Professor Sarna touches on this in the podcast and explains why an American was uniquely positioned to create this first translation.

Speaking of raisin wine, I made a batch for the first time this year. In the melee that was our hosted seder, I forgot to serve it. The 'wine' tasted so-so, but the process of making it was, for someone who's never attempted this before, unique. The recipe calls for combining boiling water, raisins, sugar, and a lemon. You then stir the concoction for 7 days. For the first three days, the 'wine' was what I expected: raisin-colored water. But by the fourth day, the mixture started to be carbonated. By the seventh day, the mixture was a frothy, living thing. It was remarkable.

The podcast above also highlighted the story of Kedem. And what a story it is. I'll never look at a bottle of Kedem grape juice the same way again.

Before the seder, we did a bit of crafting to decorate our seder plate. Combining small glass bowls and stick-on jewels made for a quick and beautiful project that we could immediately put to use. At least we didn't have a repeat of last year's glue gun incident.

While watching this video on seder plates, I was reminded of the amazing fact that the seder of 1865 happened one day after the surrender at Appomattox. Jews were literally toasting their freedom at the moment that American slaves were being freed. This article explains the Jewish perspective on this moment well.

Speaking of the seder plate, I picked up four new facts about it. First, we used to feast on the foods present on the seder plate. The egg and shankbone that are now symbolic used to correspond to the meal's main course.

The Jerusalem Talmud (compiled around 400 CE) requires two unspecified cooked dishes to be eaten as part of the Passover meal. Some 200 years later, The Babylonian Talmud asks, what are these two dishes? And it offers several answers that resemble neither lamb nor eggs. ...
For most of our history, the dishes, no matter what they symbolized, were the main dishes of the meal. Today, the egg and the shank-bone are symbolic and are not part of the meal, but initially they were the meal. Only much later, as some Jews refrained from eating roasted meat at all during the Seder, the egg and the shank-bone were merely ritually placed on a Seder Plate and were left untouched.

Second, around the year 1000, Sherira bar Hanina suggested that the egg on the seder plate was a nod to Miriam.

Rav Sherira continues with a second custom, ostensibly unknown to his questioners in Kairouan:

And there are those who add another cooked dish in memory of Miriam, as it is written, “And I sent before you Moses, Aaron and Miriam” (Micah 6:4).
And these three dishes consist of fish, meat and egg to correspond with the types of foods that Israel will eat in the future world to come: fish to correspond with the Leviathan, egg to correspond with ziz saddai (Psalms 50:11) and meat to correspond with shor habor (see Rashi on Psalms 50:10).

While women are featured prominently in the story of the Exodus, there's not any mention of women at the seder itself. That's why I was so struck by Rav Sherira's explanation.

Third, the oldest known seder plate, from the 1400's, has spelling errors in its text.

his plate, the earliest known Seder plate in existence, belongs to a small group of Jewish ceremonial objects that survived the expulsion from Spain. The inscription in the center refers to the main components of the festival: pesah (Paschal lamb), matzah, maror (bitter herbs), and seder. The errors in the Hebrew inscription may be the result of its having been copied by a non-Jewish artist who was unfamiliar with Hebrew letters.

So next time your creation doesn't come out quite as perfect as you'd like, know that you're in good company.

Fourth, the seder plate predates plates:

That’s right. The first seder plate wasn’t made of china or ceramic, pewter or silver – it was more like a wicker basket. And it most likely wasn’t round. In fact historians tell us that the actual name was “ke’arah” which is the Hebrew word, not for “plate” but for “tray.”

The use of a basket matches up symbolically with both the experience of baby Moses and brings to mind the first fruits ceremony. While seemingly esoteric, this ceremony provides the core text the haggadah uses to tell the story of the Exodus. A basket also fits better with the materials that our ancestors would have on hand. I've been looking for a reason to do some basket weaving with the invasive English Ivy in our backyard. Maybe next year I'll finally get it together and craft myself a seder plate.

Speaking of stuff growing in our backyard, one notable moment from the seder was when I took the littlest kids into our backyard, and they helped me harvest the horseradish I'd grown from last year's seder. Sure, the kids were in their seder clothes and we were digging in the dirt, but boy was it fun. Here's a fragment of this horseradish; you can see it's already sprouted again and will be ready to be planted soon. I'm looking forward to harvesting it next year!

Friday, April 19, 2024

A Cruft Free, Super Simple, WordPress Link Rendering Plugin

For this year's Omer Learning Project, I've launched a fresh WordPress instance using Lightsail. I'm utilizing the Lingonberry WordPress theme, as it's super lightweight and should work well for the site's post-centric content.

I'm using the free version of the Ultimate CSV Importer plugin to import content I plan to share every day of the Omer. This content is provided by generous members of our shul via a Google Form.

This has all been working out well: individuals can quickly contribute content, and I can easily schedule it for publication. Where things broke down, however, is that a number of the contributions included links, images, and YouTube videos. By default, these show up as plain text in the final post. For example, consider this test post:

What I wanted is for WordPress to automatically detect and render that URL as an image.

I'm sure there are a variety of plugins that do this sort of thing. The problem is that these plugins often do way more, introducing a level of complexity and noise into the site that I'm trying to avoid. In this case, it was easier to code my own plugin than to find just the right one to use. The plugin I created is named: bs-simple-formatting-fixes.

This tiny, poorly named plugin detects links in your posts and turns them into rendered content. It includes support for images, YouTube videos, and basic links. It means that the post above is automatically turned into:

You're welcome to grab this plugin and customize it to your own needs.

Chag semeach and happy counting!

Tuesday, August 22, 2023

Review: A Psalm for the Wild Built

I accidentally discovered A Psalm for the Wild Built, by Becky Chambers, while searching Arlington Library for my next read. I was thinking maybe I'd read something about Tehillim, The Book of Psalms, but when my search brought up a hit with a robot on the cover I was intrigued. Within a few minutes of listening to it, I was sold.

The book immediately gave me Murderbot Diaries vibes. Mind you, the universes and plots of these books are totally different, but the likable characters and accessible writing are common to both sci-fi series. And like the Murderbot Diaries, as soon as I finished the first book I reserved the second one in the sequence.

For a relatively short book, I found A Psalm to be thought provoking. I'll share some of those thoughts below, but do yourself a favor: consider the rest of this post a big 'ol spoiler. Stop now, and read A Psalm for the Wild Built. Then come back and let's compare notes.


***Spoilers Below***


With that out of the way, my first thought about A Psalm for the Wild Built was how narrow the plot of the book is. The storyline boils down to one character, Sibling Dex, struggling with having everything yet not being happy. That's it. There's no wars or famine here, just a character who should be happy, but isn't. I think Chambers makes this work based on her well written dialog, interesting characters and the construction of a fascinating universe. Still, it's a bold choice, yet one that I'm glad she made.

And speaking of universes, Chambers has created quite the world. On the surface, it seems to be a sort of Woke Utopia. Humans have finally learned to live in balance with the environment, trading obviously wasteful and ecologically harmful behaviors for those that let us live in sync with the planet. It took 109 years and a civil war costing 620,000 lives for the United States to come to grips with the fact that slaves, which were obviously people, should have the rights of, well, people. In Chamber's world, robots became conscious, and rather than argue that it was impossible for objects to become sentient, humans freed their robots and swear off robot technology. Even throw-away comments from the characters give a sense of how evolved the citizens of Chambers' worlds are: for example, when Sibling Dex explains that they've had the same computer since birth, because, why would ever need to replace a computer? I love that I was listening to that part of the story on my Galaxy S22, which if I'm lucky, has another year in it before I'll upgrade to a new device.

Even what's missing indicates a sort of utopia. There's no talk of war or corruption. You have a monk roaming the forests, and yet there's no sign of bandits or anyone looking to do Dex harm. It's like Chambers had re-read the Hunger Games and was on a mission to create the opposite world.

To complete the wokeness factor, the main character has no gender. This is the first book I've read where any character, much less the main character, is a they.

For those who bristle at the thought of a gender-free main character operating in a ecologically sensitive universe, I'd say: give the text a chance. The individuals who get credit for keeping the world going are the farmers and tradespeople. Without robots, the currency of the day is hard work and clever solutions. Add to that the fact that the religion and religious ceremonies play a central role, and I'd say that Becky Chambers essentially built a planet ruled by rednecks. Well played Chambers, well played.

While having a genderless main character took getting used to, I'm ultimately thankful for this decision. For one, it helps my brain adapt to using they and them as pronouns; something I don't do frequently IRL, but does happen. I also appreciate how Chambers accomplished this.

Consider an imaginary author writing a story about a female astronaut back in the 1960's. In one version of the story, the entire plot hinges on the fact a normally male role has been usurped by a female. The story writes itself: she must prove herself at every turn that she is as capable as man. Alternatively, the same author could have included a female astronaut simply because the story called for a human to be in that role, and women happen to be humans. In the latter case, the choice of a female astronaut doesn't alter the storyline; it just is. A Psalm for the Wild Built falls into this second category: the story called for a main character who struggles to find happiness and the fact that we're talking about Sibling Dex versus Brother or Sister Dex makes no real difference.

With that said, Chambers is normalizing a character having no gender, just like our imaginary author may opt to normalize female astronauts, so I suppose that itself a powerful statement. Time will tell if like the idea of a female astronaut, having characters without a gender ages well.

As a tea drinker, lover of the outdoors and problem solver, I do love that Sibling Dex's job is to putter around the country looking to craft and share different cups of tea with the aim of bringing relief to the community. Tea is delightfully versatile and can be used from everything from jolting yourself awake to calming yourself for bed, so even in our universe Sibling Dex's vocation makes sense. Who knows maybe one day I'll find myself with the desperate need to cosplay a character, in which case, I'm totally dressing up as a tea monk.

And finally, there's the title of the book: what the heck is that all about? I'm probably connecting dots I shouldn't be, but many of the psalms in The Book of Psalms include cryptic titles. Take Psalm 92, its title: A Psalm for the sabbath day would suggest that you're going to read a poem about Shabbat. Surprisingly, the text of this psalm never mentions Shabbat. So Chambers offering a perplexing title to a psalm is elegantly in line with this tradition.

Mulling this over for a few days, I can see the title hinting at two different themes. First, we learn in the book that 'wild built' refers to robots who have been built from reclaimed parts. The title suggests to me that perhaps this story isn't just for us the reader, but also for (wild built) robots. Mosscap, Sibling Dex's robot companion, is able to form a bond with a human that may be considered beyond what a robot would expect. In this context, 'A Psalm for the Wild Built' is sort of an inspirational text for robots: look at what Mosscap, and robots in general, can accomplish--isn't it amazing?

Another take on this title brings my attention back to Sibling Dex. Dex begins to find happiness when they step out of the manicured world that's been fashioned for them. In other words, it's Sibling Dex who becomes wild built and is the better for it.

Regarldless of what the title means, the book was an excellent one and I highly recommend it. On to book two!